Introduction
Dancing Village: The Curse Begins is a prequel to KKN di DesaPenari (2022), the highest-grossing Indonesian film in history when it was released. This new film is the first film made for IMAX movie ever produced in Southeast Asia. In 2024, it will be one of only five films made for IMAX productions worldwide.
Producer Manoj Punjabi is Indonesia’s most successful film and TV producer and founded MD Pictures, the country’s largest film company. Punjabi has produced one-hundred sixty-eight movies, including five of Indonesia’s biggest all-time local box office hits, among them Sewu Dino (2023) and KKN di Desa Penari.
Synopsis
In this horror-thriller, a shaman instructs Mila to return a mystical bracelet, the Kawaturih, to the “Dancing Village,” a remote site on the easternmost tip of Java Island. Joined by her cousin, Yuda, and his friends Jito and Arya, Mila arrives on the island only to discover that the village elder has passed away and that the new guardian, Mbah Buyut, isn’t present.
Various strange and eerie events occur while awaiting Mbah Buyut’s return, including Mila being visited by Badarawuhi, a mysterious, mythical being who rules the village. When she decides to return to the Kawaturih without the help of Mgah Buyut, Mila threatens the village’s safety, and she must join a ritual to select the new “Dawuh,” a cursed soul forced to dance for the rest of her life.
Interview
Cinema Scholars’ own Glen Dower sat down with director Kimo Stamboel to discuss his new horror/thriller Dancing Village: The Curse Begins. They spoke about why Kimo wanted to do a prequel and not a sequel, how to keep horror films fresh and original, and the benefits (and drawbacks) of filming in IMAX, among other topics.
(Edited for content and clarity)
Glen Dower:
Kimo Stamboel:
Glen Dower:
Kimo Stamboel:
Glen Dower:
Kimo Stamboel:
Glen Dower:
Kimo Stamboel:
Glen Dower:
Kimo Stamboel:
Yes, yes, yes. That’s pretty fun. But also very challenging to make that. Because in the first one, they don’t go deep into the story. And then the second one, when I directed and got into the project, I went deeper with the author’s work. To know what’s the meaning of that and the meaning of this. But it’s a kind of give and take. We went for the little details that mattered in the first one and gave it a nostalgic feeling towards the second one.
Glen Dower:
Kimo Stamboel:
Glen Dower:
Kimo Stamboel:
Glen Dower:
Kimo Stamboel:
Those conditions were there. The story is set in East Java and we were able to shoot in Central Java but the vibe is there and the climate is the same. The environments are the same so we wanted, again, to be authentic in building that world. And even the spot which is there in number one does have the same mystical element that we needed. But when we started the pre-production, when we scouted for location, and we went back to where the first movie was being shot, that feeling could not be replaced.
And at the end of the day, we decided, let’s just shoot here and give it a little of my touch and our production designer’s touch to make it more 1980s or more 1950s in the stories. So yes, I think that the atmospheric element is really important for me. And thankfully, we got that!
Glen Dower:
Kimo Stamboel:
Oh, I don’t know, man. I mean, it could be something. But I think if it’s a franchise, it needs something in that particular area or that particular country to have the root of it. Maybe the franchise can be a basis of the story that’s specific. Maybe it has to have some kind of adjustment but still shoot in the same location. We’ll see.
Glen Dower:
The possibilities are endless. Well, thank you so much for your time, Kimo and I really enjoyed your film, and I’m sure horror fans amongst our readers will too.