DON’T WORRY DARLING: A Review Of Olivia Wilde’s New Film

Introduction

Don’t Worry Darling is exactly the kind of movie that drives one to write movie reviews. It’s a movie that’s a decent watch the first time. However, the story immediately crumbles to dust upon even the slightest bit of scrutiny. It continues to astound and confound that films with plot holes you could fly the Death Star through can make it through multiple drafts, are filmed, and get through post-production without at least one semi-conscious person making the obvious change that plugs the hole.
A case in point is the science-fiction/horror film Signs (2002). Really, at no point during any stage of production of M. Night Shyamalan’s film did anyone notice that the entire premise revolves around aliens who are lethally allergic to water. That they are invading a planet where seventy-one percent of the surface is covered in water. Or that they are on a planet where the atmosphere also contains plenty of water, and those aliens didn’t bother wearing clothes?
Don't Worry Darling
Florence Pugh in a scene from “Don’t Worry Darling.” Photo courtesy of Warner Bros.

Premise

****Spoilers Below****

Prior to the last ten minutes of Don’t Worry Darling, the film builds a very intriguing mystery. Alice Chambers (Florence Pugh) and her husband Jack (Harry Styles) live in the perfect version of the idyllic version of 1950s suburban America. Not just the Leave it to Beaver version, but the version where a perfectly dressed and done-up wife opens the door for her husband when he gets home from work, hands him his favorite drink, and leads him to the dining room where a freshly prepared, five-course meal sits on the table. Then immediately has sex with him on said table, meal and fine china be damned. Leave it to Beaver, indeed.
Every morning, like every other wife in her cul-de-sac, Alice makes Jack breakfast. She prepares his lunch, walks him to his car, kisses him goodbye, and waves, as he and the rest of the husbands drive off to work in a line of color-soaked, 50s-era cars. Alice spends the day doing chores that every man of that era expected his wife to do. Clean the house, shop for groceries, gossip with the other ladies, and take care of any kids (of which Alice and Jack have none). She repeats the whole dress-drink-dinner-sex thing with a permanent smile. Except, something doesn’t seem quite right to Alice.
Perhaps it’s the mundanity or inanity of such an existence. Alice begins to experience flashes of memories, including a certain song’s melody that she can’t stop humming. One day while riding the town trolley, she sees a plane crash and urges the driver to take her there. Confused and slightly afraid, he refuses to help. Subsequently, Alice heads out of town on her own, into the California desert, to help any victims. She stumbles upon the headquarters of the Victory Corporation (the town is also called Victory), then passes out amid hallucinations of eyeballs and synchronized dancers in black and white.
Don't Worry Darling
Harry Styles and Florence Pugh in a scene from “Don’t Worry Darling.” Photo courtesy of Warner Bros.

Analysis

From here until the last ten minutes of Don’t Worry Darling, Alice grows more and more suspicious and paranoid about the situation. she’s also suspicious of the town’s founder and spiritual leader, Frank (Chris Pine). Eventually, she begs Jack to escape the town with her and, now, we’re at that ten-minute-to-go mark. By this time, the film has done a good job of building suspense and the audience is definitely on Alice’s side. Everything we’ve seen has drawn us further and further into the mystery. We are all on the edges of our seats in anticipation of the reveal.
The viewer has also been treated to a stellar performance from Pugh, who absolutely carries Don’t Worry Darling on her back. Exceptional cinematography, music, and sound escalate the tension, building us toward the answers we are craving. Then, the reveal happens. Even the movie itself seems to know the reveal is nonsense, when after finally giving it to us, it quickly tries to distract us with Alice’s long overdue attempted escape. With the film then cutting to credits before we have time to put our hands up to ask questions.

Performances

Harry Styles was not good in Don’t Warry Darling. There were moments of potential, but the vast majority of his performance proved that his reason for being in this film was purely based on catering to a teenage audience in order to turn a profit, which the film seems to be on track to do.  The advanced screening audience was easily ninety percent of girls who are not old enough to vote, most of whom were still whooping at the screen when Styles’ name popped up in the end credits.
Don't Worry Darling
Chris Pine in a scene from “Don’t Worry Darling.” Photo courtesy of Warner Bros.
Never mind that Styles comes off like someone who had no idea they were actually in a movie, which only added to how bad the actor/singer came off in the pre-taped cast interview shown prior to the film. When he was asked questions, the look on his face was a mix of confusion and a cry for help, mumbling his way through incoherent sentence fragments until a castmate or the interviewer bailed him out. 
Chris Pine wasn’t much better and is unconvincing as Frank. He lacks all of the charm and charisma that is required of a sinister cult-type leader who cons everyone as the town leader and Victory company chairman. Some of this is the fault of the screenplay refusing to use Frank for all but a couple of scenes. It also stems from Olivia Wilde’s direction or lack thereof. Wilde seemed not to notice Pine delivering a wooden performance or that his character is woefully undeveloped. The movie would have been no different had Frank been cut out completely and only referred to by the townspeople.

The Ending

****Spoilers Below****

The BIG REVEAL of Don’t Worry Darling is that the whole town is nothing but a computer simulation. To be specific, the simulation is specifically for men who want that fantasy version of life that has never existed because the vast majority of women don’t spend every waking moment thinking about how to please men. To fulfill the fantasy, Jack and the other men in Victory have drugged and kidnapped their significant others, forcing the women into the simulation without their consent or even their knowledge.
That in and of itself is not a bad reveal. The problem is just about everything we saw in the movie becomes nonsense in that context. In real life, Alice is a very busy surgeon and Jack is unemployed. Clearly, Jack can’t handle this situation. After sinking further and further into depression and diving deeper and deeper into the dark holes of the Internet, he stumbles upon Frank’s software and sermons. He eventually buys into it as a legitimate solution and drugs and kidnaps his own wife.
The more you think about it, the more nonsensical it becomes. The women are in their own beds in their own homes. They have little gadgets attached to their eye sockets holding their eyelids open while lasers continually scan their eyeballs. The men are using the gadgets as well. However, they are doing it willingly, and don’t require the drugs. If the women escaping or finding out the truth is such a huge risk, why isn’t there a secret facility where the women are held, prisoner? Why aren’t experts monitoring various feeds and administering the drugs?

Questions

This scenario is actually hinted at when Alice is being electroshocked in an attempt to erase and reset her mind. however, that means that she was returned to her apartment despite clearly being a security threat. Further, that’s just one question. Here are more of the questions that arise about stuff that defies logic after the reveal:
  • Why were there empty eggshells that one time, but not others, and why were they empty at all?
  • Where did the crashing airplane come from? It wasn’t imagined by Alice because the trolley driver saw it;
  • Was the trolley driver an actual guy in real life? What about the employees in the shopping mall? The band members at the party?
  • Why would all of the husbands need secret jobs when literally any job would make the women less suspicious?
  • Were the walls really smashing Alice? Does the software try to kill drugged users if they start to realize they are in a simulation, like some sort of failsafe? Wouldn’t that cause a problem with the husbands?
  • Is Alice trying to subconsciously wake herself up by wrapping her head/face in plastic wrap or submerging her entire self in the bathwater? Is that why the walls tried to smash Alice?
  • Why is it possible to die in the simulation?
  • What are the actual rules of this simulation?
  • If they don’t want the women to escape, why isn’t the road to the exit portal walled or fenced off or even guarded at all?
  • Why are all of the guys in red jumpsuits needed to catch people in a simulation?
  • Why does Shelley (Gemma Chan) suddenly kill Frank? Did she know what was going on the whole time or did she suddenly become aware of the simulation as well?
  • What is the significance of Alice’s visions and where are they coming from? They obviously aren’t real, but she also isn’t having visions from her real life;
  • In real life, Alice is an extremely busy surgeon. Are we to believe that everyone in the hospital believed Alice would just quit (assuming that’s what Jack told everyone) and cut off all contact with them?
Don't Worry Darling
Florence Pugh and Harry Styles in a scene from “Don’t Worry Darling.” Photo courtesy of Warner Bros.

Conclusion

Unfortunately, the logistics of Jack’s abduction are never even hinted at, just that he did them. There are so many more questions along those lines. The entire idea feels half-baked. Despite being an original screenplay, Don’t Worry Darling feels like it was adapted from a novel or an episode of The Twilight Zone. One that didn’t bother to read or see the source material. It’s a film that feels like at least thirty minutes of vitally important scenes were cut. It could have been so much better had anyone just raised their hand and asked any obvious question about a clearly broken plot.

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