Articles

MUFASA: THE LION KING Review: Nothing To Sing Home About

Introduction As 2024 draws to a close, we’re left with the annual end-of-year fireworks in the form of Xmas movie releases. One last splurge of...

OBSESSED WITH LIGHT: We Interview The Co-Directors Of The New Art and Dance Documentary!

Introduction Obsessed with Light is a new documentary film that tells the story of American performer Loie Fuller (1862-1928), a pioneer of dance, stage lighting,...

THE LAST SHOWGIRL: A Review Of Gia Coppola’s Powerful New Drama

Cinema Scholars reviews Gia Coppola's new drama The Last Showgirl. The film stars Pamela Anderson and Dave Bautista with support from Jamie Lee Curtis,...

CONCLAVE Review: Thoughts And Prayers

Introduction When I was a kid, my understanding of how the Catholic Church chose a new pope was they lit a fire for each cardinal....

Halloween Reflection: Spooky Films From The 70s And 80s

Introduction Cinema Scholars takes a look at the Spooky Season from the viewpoint of the grown-ups (in the loosest sense of the word) of a...

HALLOWEEN (1978): The Making Of John Carpenter’s Slasher Masterpiece

Introduction Often repeated but never bettered, John Carpenter's Halloween (1978) isn't just a classic horror film, it changed the genre. It was also the most...

Austin Film Festival 2024: We Chat Up THE BELDHAM Director Angela Gulner Plus Cast Patricia Heaton And Katie Parker

Cinema Scholars interviews The Beldham director Angela Gulner and cast members Katie Parker, Patricia Heaton, Emma Fitzpatrick, and Mark Meir (who also produces) at...

VENOM: THE LAST DANCE Review: Booooooooooo!

Introduction With the success of Venom ($856 million box office) in 2018, Sony Pictures execs were probably clinking champagne glasses, fully confident their fledgling Sony...
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