Introduction
In part seven of our ongoing Bond Girl series, we head back to the Sean Connery era. This installment features biographies on Karin Dor (You Only Live Twice), Martine Beswick (From Russia With Love and Thunderball), and Shirley Eaton (Goldfinger). If you are just discovering this series of articles for the first time please Click Here for Part 1.
Martine Beswick
Martine Beswick was born in Port Antonio, Jamaica on September 26, 1941. Her father was English and her mother was Portuguese-Jamaican. In 1954, her parents separated and she moved to London with her mother and sister.
In 1962, Beswick auditioned for the “Photographer” part in Dr. No but missed out on the role. The following year she appeared in From Russia With Love as Zora, the gypsy. The catfight she had in that movie earned her the nickname “Battling Beswick” on the set. Terrance Young, the director of that film enjoyed working with her so much that he cast her as James Bond’s assistant, Paula Caplan, in Thunderball (1965).
Beswick’s first foray into the world of Hammer Films was in One Million Years B.C. (1966) with Raquel Welch. Shot in the Canary Islands, Beswick began a relationship with, and married, the film’s leading man, John Richardson. They divorced in 1973. A second film was planned before this one had even wrapped in order to recycle the costumes and sets. It would star Beswick and be titled Prehistoric Women (1967).
“We took it (Prehistoric Women) seriously insofar as we went at it full tilt, but we knew it wouldn’t be award winning. We had a lot of fun between takes”
– Martine Beswick
In 1967, Beswick and Richardson moved to L.A. and she started to get roles on television throughout the rest of the 1960s, and well into the 1980s, including The Fall Guy, Fantasy Island, Mannix, and The Six Million Dollar Man. She also acted in Oliver Stone’s directorial debut Seizure (1974).
In 1971, Beswick returned to England for a vacation and ended up being cast in Hammer’s Dr. Jekyll and Sister Hyde (1972). There was tension on the set of this film as Hammer was pushing for nudity that wasn’t in the script.
“(Director) Roy (Ward Baker) and I stopped speaking for a while and then I turned around and said ‘This is silly, let’s just stop this.’ So I agreed to strip off for the scene where Sister Hyde is revealed”
– Martine Beswick
Beswick eventually moved back to England and essentially retired from acting in the 1990s. She did however appear in a “Bond Girl” episode of Masterchef in 2013, as well as the horror film House of the Gorgon (2018). In this, she appeared alongside other Hammer actresses, Caroline Munro and Veronica Carlson.
Shirley Eaton
Born on January 12, 1937, in Middlesex, England Shirley Eaton and her family soon moved to Kingsbury. It was there that she attended Roe Green Primary School before continuing her education at the Aida Foster Theatre School, a specialist drama school. She remained there until she was sixteen.
At the age of seventeen Eaton made her West End debut in Going to Town. For the remainder of the decade, she was primarily a singing star, both on the stage and on television, culminating in the Eurovision Song Contest competition in 1957. Eaton also appeared in many comedy films during this time including Three Men in a Boat (1956) and Carry on Nurse (1959).
In 1957, Eaton married businessman Colin Lenton Rowe with whom she remained married until his death in 1994. The marriage produced two sons.
“The most important thing for me was being a woman and having a family, more than being a very famous glamorous actress”
– Shirley Eaton
Eaton continued to act throughout the early 1960s with the highlights from that decade including appearances opposite future 007 actor Roger Moore in the popular television series The Saint, as well as her most iconic role as Jill Masterson in Goldfinger (1964).
Following Goldfinger, Eaton’s interest in being in showbiz increasingly waned over the next few years. After appearing in the Bob Hope comedy Eight on the Lam (1967), Eaton took on the role of femme fatale Sumuru, appearing in two films, The Million Eyes of Sumuru (1967) and The Girl From Rio (1969), before essentially retiring from acting.
“After I finished The Million Eyes of Sumuru and was coming home in the plane was when I made the decision to quit. I hated being away from my baby Jason and his brother Grant. However, I did enjoy being the wicked lady Sumuru in two rather bad films, which I had not had the chance to be before. I do believe they have become cult films now”
– Shirley Eaton