DEVOTION Review: Climb Just A Little Higher

Introduction

Every year there seems to be a pair of movies, sometimes even multiple pairs, that are doppelgangers of each other. Deep Impact (1998) and Armageddon (1998). The Prestige (2006) and The Illusionist (2006). Or my personal favorite, Turner and Hooch (1989) and K-9 (1989). Come on – two buddy cop movies where one buddy licks its own butt? How can you not smile and shake your head at Hollywood? This year, we get dual fighter pilot movies in Top Gun: Maverick and, now, Devotion. As an added bonus, both movies feature Glen Powell as one of the pilots. You’re shaking your head again, aren’t you?

Synopsis

In Devotion, Powell plays Lt. Tom Hudner, a Navy pilot assigned to the VF-32 squadron in 1949. Upon arrival at his new location, he meets Ensign Jesse Brown (Jonathan Majors). Brown is known to history as the first black naval aviator, having completed final qualifications in 1948 and earning his wings. This is a big deal within the Navy and the nation, but Hudner does not seem phased by it. That’s not to say Hudner is dismissing the significance. Rather, he accepts that Jesse is simply another pilot. He and Jesse are assigned as each other’s wingmen and the two men begin a relationship, each sizing the other up.

Based out of Quonset, Rhode Island, the squadron is also assigned to the aircraft carrier U.S.S. Leyte. The squadron spends its time conducting training exercises and it is here where we meet Jesse’s wife Daisy (Christina Jackson) and his very young daughter Pam. We also meet the rest of the squadron (four guys) and the squadron leader, Lt. Commander Dick Cevoli (Thomas Sadoski). Much of this first act is used to develop Jesse as a respected pilot and dedicated family man, putting up with a less-than-expected amount of overt racism. Meanwhile, Hudner is determined to prove to Jesse that he is trustworthy and every bit as good a pilot as Jesse. It’s a solid start to the film, but I couldn’t help but feel it was a little underwhelming. Then, the Russians pop off their very own nuke.

Analysis

Obviously, the United States military is very concerned by this event, dispatching the Leyte to the Mediterranean Sea to project power. This middle act exists to erase any lingering concerns we might have about the relationship between Tom and Jesse. It’s here where we discover the extent of the racism among the ship’s crew, how the squadron reacts to it – especially, Hudner and Cevoli – and even how the French react to Jesse’s presence. It’s important for us to understand these feelings and relationships because they are vital to the audience’s emotional investment in the climax in the final act.

Through all of this, that lingering feeling stayed with me that Devotion was coming up a little short on the emotional sell. I can’t quite put my finger on what it was, but if I had to describe my feeling in one word, I’d say it was “quiet.” It’s probably a combination of the mild musical score and that the flying scenes in the first two acts are ho-hum. So, imagine my surprise at how strongly I reacted to the climax when I had hardly any reaction prior to that point. Either I picked up on something without realizing what it was or I’m getting soft in my middle age.

Further Discussion

While I enjoyed the third act quite a bit, my favorite part of the film was Commander Cevoli. Most commanders in war films are loud, abrasive blowhards trying to prove to everybody how tough they are. These guys are followed by their soldiers because the soldiers are ordered to.

Conversely, Cevoli is reserved and even-tempered. He commands respect by leading his men through example, being plain-spoken, and always giving them the unvarnished truth. He neither coddles nor yells, but commands the kind of respect from his men that only comes from not blowing smoke up their asses. Think of most little league coaches, then turn them inside out.

Conclusion

As the other fighter pilot movie of 2022, Devotion isn’t going to come anywhere close to the box-office success of Top Gun: Maverick. Though it shines in places where Top Gun: Maverick falls short. Most notably, Devotion has better acting, which includes Powell. It helps that Hudner isn’t the blank canvas that is Powell’s Hangman in Top Gun: Maverick, giving Powell a chance to do more than just smirk. But Majors is the real gem, throwing everything he has into his portrayal of Jesse. His facial expressions alone are enough for three dimensions worth of character and are probably the thing that set me up for my response to the climax. I still think Devotion could have done a little more to really sell us on the emotions. At the very least, they confirmed that Powell can pull off a Navy pilot in any decade.

Rating: Ask for a dollar back and take your dog for a walk.

Devotion had its world premiere at the Toronto International Film Festival on September 12, 2022, and was released theatrically on November 23, 2022. It is currently not available to stream online.

Read more Cinema Scholars reviews!

FAMILY SQUARES Review: Comedy and Drama Unravel Over Zoom

MARRY ME – A Review of the New Romantic Comedy

Keep up with Cinema Scholars on social media. Like us on Facebook, subscribe on YouTube, and follow us on Twitter and Instagram.