VENOM: THE LAST DANCE Review: Booooooooooo!

Introduction

With the success of Venom ($856 million box office) in 2018, Sony Pictures execs were probably clinking champagne glasses, fully confident their fledgling Sony Spider-Man Universe (SSU) was well-positioned for long-term success. You know, the same universe that doesn’t actually include Spider-Man. In 2021, Venom: Let There Be Carnage was released and saw a $350 million decline in box office to $507 million. While still a box office success, this had to cause at least one Sony executive to put his champagne glass down in concern for the SSU.

Then Morbius and Madame Web were inflicted upon audiences. And, to put it mildly, audiences hated both movies. They hated them so much that both quickly became box office bombs (Madame Web bombing far more than Morbius). At this point, the execs had to be sweating bullets because the SSU suddenly looked like a smoldering disaster. “But,” they thought, “at least audiences will stick with the SSU after seeing Venom: The Last Dance, right? Right?!”

Cause for Concern

Before I tell you anything about Venom: The Last Dance, tell me if you think this is a good sign. The film’s IMDb and Wikipedia pages state its running time is one hour and fifty minutes. When the end credits rolled, I checked my watch and only one hour and thirty minutes had passed since the start of the film. Either we went through a time tunnel, or a whole bunch of footage was chopped from the film. Considering how terrible it turned out to be, I can’t imagine the circle of hell the cut footage came from.

My friend described Venom: The Last Dance succinctly. That it comes off merely like a collection of things those same champagne-swilling execs insisted must comprise the movie. Venom horse. Venom fish and Venom frog. Different colored symbiotes (like Venom) with maybe some random powers. Area 51. A sing-a-long in a VW bus with a hippie family. A dance number. A rocket launcher. A tiny glimpse of the creator of the symbiotes (Knull). Las Vegas. Monsters with wood-chipper mouths, Eddie Brock/Venom (Tom Hardy) riding on the outside of a cruising jetliner, and, for some reason, Chiwetel Ejiofor. And none of those things worked.

Analysis

You might think I’m being harsh, but the movie takes exactly zero seconds to start sucking. It begins with an exposition dump to explain the movie we’re about to watch, except the dump itself is confusing. Then, it retcons the mid-credit scene from Venom: Let There Be Carnage (probably because Marvel Studios made them after a test screening) to effectively negate it. This is explicitly stamped home when Venom states “I’m so done with this multiverse shit” during a badly edited scene of Eddie/Venom making a drink at the bar. Only a few minutes into the film and we’re already wondering if Madame Web isn’t the worst movie of the year. 

The film only becomes less coherent from there. All of those executive ideas I listed two paragraphs ago are essentially rolled into a giant ball of garbage, set on fire, and drop-kicked into your car and all you can do is watch it burn.

Further Discussion

Cringe with Eddie as he’s forced to listen to his hippie dad (Rhys Ifans) and family sing “Ground Control to Major Tom.” Wish somebody would chloroform you so don’t have to watch Venom and Mrs. Chen (Peggy Lu) dance to ABBA for no reason in her Vegas penthouse suite. Pop enough ibuprofen to prevent going into a seizure from the terribly shot and edited CGI fight scenes that somehow manage to be boring.

Cry into your popcorn every time Ejiofor (as General Strickland) performs as if he forgot he isn’t in a serious movie like 12 Years a Slave or even a good popcorn flick like Doctor Strange. Try not to boo at everyone in the theater laughing at unfunny and poorly delivered wisecracks that were clearly added in post-production by a badly coded AI. You know what? Disregard that last one – boo to your heart’s content. I could go on (and on), but I think you get the point.

Conclusion

If Morbius and Madame Web haven’t fully killed the SSU, I have a really hard time believing Venom: The Last Dance will do anything more than keep the franchise on life support. That is if it doesn’t pull the plug altogether. And that has to terrify the execs looking at their December calendars and seeing the release date for the next SSU movie – Kraven the Hunter – fast approaching. Probably a good idea to keep that next bottle of champagne on ice.

Rating: Ask for all of your money back for all of the Venom movies and boo loudly while you do it.

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